Spotify’s biggest sin? Its algorithms have pushed artists to make joyless, toothless music | John Harris

Most musicians can only make money on the platform by writing songs inoffensive enough to get on to one of its vapid playlists

In the hands of some of its most gifted practitioners, songwriting is a kind of emotional alchemy. For the past week, I have been returning to a perfect example: Every Time the Sun Comes Up by the US singer Sharon Van Etten, which was released in 2014. Its lyrics might be fractured and fragmented, but it is an almost perfect portrait of self-doubt and downward spirals: one of those songs that captures feelings so deep that they go way beyond words.

I went back to that song as I read a superb new book that has both educated and profoundly depressed me. Mood Machine, by the New York-based journalist Liz Pelly, is about the music-streaming giant Spotify, and how it attracted its current 615 million subscribers, making a billionaire of its Swedish co-founder and CEO, Daniel Ek. But its most compelling story centres on what Spotify has done to people’s appreciation of songs and the people who make them – much of which is down to the platform’s ubiquitous playlists.

John Harris is a Guardian columnist

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