All of Us Strangers and 45 Years both won the Guardian’s film of the year. That’s not all that unites them

Perfectly preserved corpses return to trouble – and liberate – the living in Andrew Haigh’s masterly dramas

All of Us Strangers may have missed out on awards earlier in the year (no Bafta wins, no Oscar nominations) but it has won the prize that matters: the Guardian’s best film of 2024. It is the second time that director Andrew Haigh has received this accolade – 45 Years, his searing study of a marriage plunged into crisis, was the Guardian’s choice as best film for 2015.

On the face of it, the two films are sharply contrasting expressions of Haigh’s craft. 45 Years is resolutely realist in its portrait of a retired couple living in Norfolk, investing its middle-class milieu with an understated arthouse aesthetic. All of Us Strangers, meanwhile, returns to the gay themes that marked Haigh’s breakthrough Weekend, but in a shift from his past work operates in an unstable, dreamlike atmosphere that ultimately calls into question whether anything we are watching is supposed to be real.

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