The star’s third film with the streamer, in which she plays a woman lying about her ex during the holidays, is the best yet even if the bar is incredibly low
The return of Lindsay Lohan, redefining herself as movie star rather than tabloid joke, coincided with Netflix’s annual rebrand as home of cheap and cheerful Christmas fodder, easily made and easily devoured. It was a smart, low-stakes, high-exposure comeback, with 2022’s Falling into Christmas, her first lead role in almost a decade, a no-brainer of a hit during the streamer’s seasonal onslaught.
It almost didn’t matter that it wasn’t very good, it wasn’t really supposed to be, it just gave us proof that Lohan still had the same magnetism that made her a star in the first place. But her next film with Netflix was less of an easy pass – the genuinely atrocious Irish Wish – and suddenly her association with the streamer was feeling less like a restart and more like a long pause, trapping her in a mode she really needed to be running away from (next year’s Freaky Friday sequel should help with that). Her third, and contractually final, outing with the platform is the best of the lot but only because the bar is so low we can’t even see it, not only for Lohan’s latest run but for Netflix’s festive oeuvre at large.
Continue reading...
0 Comments