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The Blessed Madonna: Godspeed review – a sprawling dancefloor odyssey

(FFRR)
Featuring Kylie Minogue, Jacob Lusk and more, the American producer and DJ’s solo debut offers something for everyone

For the best part of the past decade, Chicago DJ Marea Stamper, AKA the Blessed Madonna, has built a reputation for whipping dancefloors into a euphoric frenzy with her crate-digging mixes of house, techno and disco. As a producer, she has channelled this high-octane sensibility into remixes for the likes of Dua Lipa and Robyn. Now, on her debut album, Godspeed, Stamper presents a sprawling odyssey that ranges from radio-friendly features to darker, bass-heavy tracks.

At the commercial end of the spectrum are pleasing if unoriginal numbers such as the piano house party-starter Edge of Saturday Night with Kylie Minogue; James Vincent McMorrow breakbeat feature Brand New; and Jacob Lusk disco roller Mercy Pt 2. Godspeed grows more distinct when Stamper delves into the murkier corners of the dancefloor – the hammering techno bass of Somebody’s Daughter; the gritty, jacking house of Blessed Already and chopped fractal vocals of Strength (R U Ready).

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