The coastal setting is beautiful, the couple are messily believable and it’s an eerily accurate homage to small-town life. Hopefully sewage won’t get in the way of all the tender, water-based bonding
The first series of Float picked up several awards and a dedicated audience for its youth-leaning small-town love story between two female lifeguards. Over six 10-minute-ish episodes, this “microdrama”, written by the acclaimed playwright Stef Smith, revealed itself to be both a romance – as Jade (Hannah Jarrett-Scott) falls for her seemingly straight colleague Collette (Jessica Hardwick) – and a bigger mystery: why is Jade so depressed and withdrawn? And what had caused her to suddenly drop out of university in Glasgow and return home? It ended on a note of impressive ambiguity, daring not to resolve everything neatly, leaving the loose ends hanging with a nod to realism rather than wish fulfilment.
We rejoin them for a second series 18 months later. The leisure centre where Jade and Collette worked is being pulled down, and both of them find themselves back at home after a long period apart. Collette is now living in Edinburgh, where she is training to be a nurse. She is caring for a sick father and a cold, distant mother. Jade, meanwhile, went back to Glasgow to face the music after she attacked a homophobe in a bar, lives with her mother and is undergoing court-mandated anger management therapy. “It’s been a long time, stranger,” says Jade, as the pair finally meet up again.
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