The lives of two east London teenagers become fatally entwined in an assured debut novel addressing themes of masculinity and marginalisation
Ever wondered what you’d do if your musical hero got cancelled? This crushing scenario is brought to life in an impressive first novel by Nicolas Padamsee (one of the Observer’s best 2024 debut novelists). A nuanced and remarkably assured exploration of Britishness, toxic masculinity and the pernicious pull of the far right, England Is Mine charts a rapid descent into extremism fuelled by fandom and disillusionment.
David, one of two main characters, is a teenager of Iranian heritage living in east London. A social outcast who struggles with his image (bullies at sixth form call him “Makeup Boy”), he finds refuge in the music of Karl Williams, an outspoken solo artist who, during a show in Leeds, makes an Islamophobic comment about Muslim children being withdrawn from a local primary school because of LGBTQ teaching. “Could it be that maybe, maybe, Islam isn’t 100% compatible with western values?” he goads the crowd. “You tell me.” While initially reticent, David feels that the public backlash against Williams is excessive. This position becomes more entrenched after David is assaulted by two young Muslims – one of whom he knows from college – setting him on a dark path that spirals towards catastrophe.
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